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Baron by Richard Kern - Premium Fashion Accessories for Men & Women | Perfect for Everyday Wear, Parties & Special Occasions
Baron by Richard Kern - Premium Fashion Accessories for Men & Women | Perfect for Everyday Wear, Parties & Special OccasionsBaron by Richard Kern - Premium Fashion Accessories for Men & Women | Perfect for Everyday Wear, Parties & Special OccasionsBaron by Richard Kern - Premium Fashion Accessories for Men & Women | Perfect for Everyday Wear, Parties & Special OccasionsBaron by Richard Kern - Premium Fashion Accessories for Men & Women | Perfect for Everyday Wear, Parties & Special OccasionsBaron by Richard Kern - Premium Fashion Accessories for Men & Women | Perfect for Everyday Wear, Parties & Special Occasions

Baron by Richard Kern - Premium Fashion Accessories for Men & Women | Perfect for Everyday Wear, Parties & Special Occasions

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Product Description

For the seventh instalment of Baron photographer Richard Kern explores the dichotomy between girl and woman, between the nude and the dressed, and between playfulness and seriousness.

Kern does not ask his subjects to pose for him, nor does he direct them. He doesn’t even contact or cast them. Rather, the subjects contact him, and pose for him in any way they are comfortable. They sometimes choose to be portrayed in the nude and they have full control of the way their bodies are photographed. Therefore, the work is a collaboration between the model and the photographer, as they both construct the image. 

This process plays out an interesting power dynamic, as the photographer is an older man and the subject is a young woman. Yet, by being seemingly opposed, the photographs are shaped by the male gaze, but simultaneously express the subjects’ agency over their sexuality and their bodies. However, how far is the performance of these young women a true expression of their new-found sexuality? Or is that performance rather shaped by the patriarchy and influenced by the endless stream of pop culture on what it is to be a woman?

Kern explains that he wanted this series of portraits to be about the last stage of innocence, the phase where a girl is leaving childhood and is slowly but surely entering adulthood. The many uncertainties that come from being in between age groups, in a place where it’s unclear what society is expecting of being a woman, are visible through the insecurity and agitation on the girls’ faces.

It’s so scary for a girl to leave her old, but safe, life behind, yet so exciting to be introduced into the thrilling, but possibly threatening world of womanhood. There is a sense of safety, but also danger here. The photographs  are layered on top of each other, veiling and unveiling the female body. In doing so, Kern creates a hallucinating image of a feminine subject that is neither a girl, nor yet a woman. Both sides are emphasized through the translucency of the pictures. These girls are about to become women; in their eyes, you can see both the doubts and the joys that come with this new-found social position, role and sexual power.

Published by Baron
Edition of 1000
Softcover
128 pages
270 x 350 mm

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